No matter what writing skills you have right now... And even if you've never written a word of fiction in your life...
Odds are pretty good you've never read anything by me, in spite of the fact that I now have more than thirty novels in print, with millions of copies in a dozen languages, and have a career that started with my first sale in 1991, and is still going strong.
I am, you see, a successful MIDLIST writer---meaning I've been making a nice, full-time living from my writing since 1992, in spite of never hitting the NYT. My readers know who I am. To everyone else, I'm invisible.
My name is Holly Lisle, and How To Write Flash Fiction That Doesn't Suck is the free introductory career writing course I offer to writers who want to get paid to write.
My objective with the writers I teach is to help them build full-time (or part-time, if they prefer) commercial fiction writing careers.
By the end of 3 weeks, IF YOU DO THE WORK, you will have written five complete 500-word short stories that are good.
Quite a few students who went through the first wave of this course were selling their class projects and winning contests with them as soon as they finished lesson three. But people who don't know me, and who haven't yet taken any of my courses, have four basic questions they ask me---so I'll assume you have the same questions, and answer them now.
This is usually true. However, rather than debate why How To Write Flash Fiction That Doesn't Suck is different, I'll let one of my students tell you about the class.
PREVIOUS WRITING EXPERIENCE: I kept notes in a notebook for "one day", when I would "someday" write."
CLASS EXPERIENCE: I didn't want to take the course at all; I've never liked short pieces; they seemed shallow. Pointless. I wanted to write novel-length pieces and thought this course would be a distraction.
I took the class because we were doing it as a group, and I thought I might pick up something by watching others. Because I had no particular interest in it, I didn't expect to keep up with the group, but I did; I couldn't help it.
What an amazing jump-start! I wrote five first-ever fiction pieces. First, EVER! It was so cool.
I got tons of feedback from the online forum on my very rusty (45-year out-of-date) grammar, word usage, and parts of speech. They alerted me to places where I had overused the same words, and I learned where to put quotes for characters that had multiple paragraphs of speech delivery. The feedback about what they understood and what was too cryptic was invaluable.
I LOVED the task of eliminating the worthless and pointless words to make the piece tight and urgent. I couldn't wait to get up in the morning to write again.
Now, when talking with my DH, I want him to hurry up... so I can get back to writing. This course lit a fire under me. --Kathryn Kistner
Because I KNOW I can show you how to tell good stories, how to write them well, and how to hook readers on what you've written.
So rather than expect you to take my word for it and pay me to show you what you can do, I'll just prove it to you.
If you hate the way I work or are dissatisfied with what you've learned, you move on, and neither of us is worse off than we were before.
If you like the way I work and decide you want to stay, you can stay for free, redo the class until you're up to your ears in flash fiction, and you'll never pay a dime.
But I also have a range of courses that will help you reach your writing goals---at your pace and within your budget, whatever it might be. (I have one 99¢ course, and several over---or quite a bit over---$100, so I'm not kidding about the wide range.)
You expand whenever you want---and no matter what classes or workshops you eventually join, they all come with the same lifetime access to classrooms, downloads, and, if applicable, forum boards.
Get This Great Free Course With Proven Results, and No Strings!
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